Saturday, November 9, 2013

Ebook Download The Enduring Democracy (Book Only) 3rd edition

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The Enduring Democracy (Book Only) 3rd edition

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  • Sales Rank: #1831523 in Books
  • Published on: 1705
  • Binding: Paperback

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Friday, November 8, 2013

Ebook Download Orthopedic Rehabilitation Clinical Advisor - E-BookBy Derrick Sueki, Jacklyn Brechter

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Orthopedic Rehabilitation Clinical Advisor - E-BookBy Derrick Sueki, Jacklyn Brechter

Access the information you need to confidently diagnose and treat musculoskeletal disorders at a glance! With a "5-books-in-1" approach, this essential clinical reference provides up-to-date diagnostic and therapeutic information on over 200 orthopedic conditions in a bulleted, quick-reference format ideal for both students and practitioners. Content is written entirely by orthopedic physical therapists and is logically organized to promote accurate, efficient differential diagnosis and intervention.

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  • UNIQUE: Expert insight and decision-making strategies for the rehabilitation of musculoskeletal pathologies help you apply sound clinical reasoning to determine the needs of patients with musculoskeletal disorders.
  • UNIQUE: Succinct, bulleted text organizes information consistently for easy access.
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  • 51 drug class monographs detail indications, dosages, contraindications and physical therapy implications to help you better understand drug interactions and more effectively manage patients.

  • Amazon Sales Rank: #173354 in eBooks
  • Published on: 2009-10-27
  • Released on: 2009-10-27
  • Format: Kindle eBook

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Thursday, November 7, 2013

PDF Ebook Novena a San Simón para que Abra Caminos del Bien y la Buena Suerte. (Corazón Renovado)By Laila Pita

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Novena a San Simón para que Abra Caminos del Bien y la Buena Suerte. (Corazón Renovado)By Laila Pita

Rezo para 9 días (Novena) de bolsillo de 16 páginas, en medidas de 4.5"x3.25" (10.8x8.25cm). Incluye estampa de Petición a San Simón en funda de vinilo para la cartera.

  • Amazon Sales Rank: #2518595 in Books
  • Published on: 2000
  • Binding: Paperback
  • 16 pages

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Thursday, October 31, 2013

Get Free Ebook By Amir Levine - Attached: The New Science of Adult Attachment and How It Can Help You Find - And Keep - Love (Reprint) (12.6.2011)By Am

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  • Sales Rank: #2376101 in Books
  • Published on: 2011-12-06
  • Binding: Paperback

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Thursday, October 24, 2013

PDF Ebook DragonArt Mythical Monsters: How to Draw and Paint More Fantastic CreaturesBy Jessica Peffer

PDF Ebook DragonArt Mythical Monsters: How to Draw and Paint More Fantastic CreaturesBy Jessica Peffer

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DragonArt Mythical Monsters: How to Draw and Paint More Fantastic CreaturesBy Jessica Peffer

DragonArt Mythical Monsters: How to Draw and Paint More Fantastic CreaturesBy Jessica Peffer


DragonArt Mythical Monsters: How to Draw and Paint More Fantastic CreaturesBy Jessica Peffer


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DragonArt Mythical Monsters: How to Draw and Paint More Fantastic CreaturesBy Jessica Peffer

How to Draw and Paint More Fantastic Creatures

From the creator of wildly popular fantasy artwork, J "NeonDragon" Peffer, DragonArt Mythical Monsters shows you how to create even more awesome, delightful and frightening beasts! You'll begin your quest by discovering simple secrets and spiffy tricks for shading and painting your dragons and other fantasy monsters using the supreme materials in this kit - from a set of acrylic paints and paintbrushes to a drawing pencil and a drawing pad. You'll forge onward to conquer a super-easy dragon that even the most foolish of ogres could draw, and you'll also learn how to incorporate various details - from horns and wings to scales and tails - to make each magnificent beast original. Once you've mastered the art of drawing these creatures and using shading effects to make them come roaring to life on the page, use the paints in this kit to give them a splash of brilliant color. Quit dragon your feet! Take this kit home (kindly buy it first - the author has debts to pay) and make your wildest, wickedest, fire-breathingest fantasies come true!

  • Sales Rank: #1157852 in Books
  • Published on: 2007-08-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.26" h x 6.82" w x 8.48" l, .80 pounds
  • Binding: Paperback
  • 32 pages

About the Author
Jessica "NeonDragon" Peffer is a fantasy art illustrator and author of DragonArt: How to Draw Dragons and Fantasy Creatures. Her style has overtones of the popular Japanese manga/anime. Trained at the Columbus College of Art and Design, she has done character and logo commissions, and runs a popular website, www.NeonDragonArt.com.

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Sunday, October 20, 2013

PDF Ebook Different Seasons: Four NovellasBy Stephen King

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Different Seasons: Four NovellasBy Stephen King

A “hypnotic” (The New York Times Book Review) collection of four novellas from Stephen King bound together by the changing of seasons, each taking on the theme of a journey with strikingly different tones and characters.

“The wondrous readability of his work, as well as the instant sense of communication with his characters, are what make Stephen King the consummate storyteller that he is,” hailed the Houston Chronicle about Different Seasons.

This gripping collection begins with “Rita Hayworth and the Shawshank Redemption,” in which an unjustly imprisoned convict seeks a strange and startling revenge—the basis for the Best Picture Academy Award-nominee The Shawshank Redemption. Next is “Apt Pupil,” the inspiration for the film of the same name about top high school student Todd Bowden and his obsession with the dark and deadly past of an older man in town. In “The Body,” four rambunctious young boys plunge through the façade of a small town and come face-to-face with life, death, and intimations of their own mortality. This novella became the movie Stand By Me. Finally, a disgraced woman is determined to triumph over death in “The Breathing Method.”

  • Sales Rank: #7164 in Books
  • Published on: 2016-03-29
  • Released on: 2016-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x 1.40" w x 5.50" l, 1.16 pounds
  • Binding: Paperback
  • 608 pages

Amazon.com Review
Different Seasons (1982) is a collection of four novellas, markedly different in tone and subject, each on the theme of a journey. The first is a rich, satisfying, nonhorrific tale about an innocent man who carefully nurtures hope and devises a wily scheme to escape from prison. The second concerns a boy who discards his innocence by enticing an old man to travel with him into a reawakening of long-buried evil. In the third story, a writer looks back on the trek he took with three friends on the brink of adolescence to find another boy's corpse. The trip becomes a character-rich rite of passage from youth to maturity.

These first three novellas have been made into well-received movies: "Rita Hayworth and Shawshank Redemption" into Frank Darabont's 1994 The Shawshank Redemption (available as a screenplay, a DVD film, and an audiocassette), "Apt Pupil" into Bryan Singer's 1998 film Apt Pupil (also released in 1998 on audiocassette), and "The Body" into Rob Reiner's Stand by Me (1986).

The final novella, "Breathing Lessons," is a horror yarn told by a doctor, about a patient whose indomitable spirit keeps her baby alive under extraordinary circumstances. It's the tightest, most polished tale in the collection. --Fiona Webster

Review
"Hypnotic." (The New York Times Book Review)

"To find the secret of his success, you have to compare King to Twain and Poe, with a generous dash of Philip Roth and Will Rogers thrown in for popular measure. King’s stories tap the roots of myth buried in all our minds." (Los Angeles Times)

"Buy Different Seasons. I promise you’ll enjoy it… King creates people who are so alive, you can almost sense them." (Minneapolis Star-Tribune)

"The wondrous readability of his work, as well as the instant sense of communication with his characters, are what make King the consummate storyteller that he is." (Houston Chronicle)

"Riveting, irresistible… a zestful delight to read." (Los Angeles Herald Examiner)

"Fast-paced page turners…an unqualified success." (People)

"Clever and triumphant... Stephen King remains a master." (The New York Times)

"Cause for rejoicing." (Washington Post Book World)

"Ok, let’s face it, the man is good…wondrous reading." (Denver Post)

"No demons chortle from the closet, no vampires droll beneath the moon. Instead King’s ragged claws reach from ambush into the wholesome light of daily life--what could be more frightening than that?" (Cosmopolitan)

"A horror quartet by a spellbinding storyteller, master of suspense who leads you into plots like a guide through minefield." (Portland Oregonian)

"A spellbinding storyteller… A feast of horror fit for a king." (San Diego Union)

"Enjoyable…filled with surprise, humor and insight." (Wichita Falls Times)

About the Author
Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes End of Watch, the short story collection The Bazaar of Bad Dreams, Finders Keepers, Mr. Mercedes (an Edgar Award winner for Best Novel), Doctor Sleep, and Under the Dome. His novel 11/22/63—a recent Hulu original television series event—was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers. His epic series, The Dark Tower, is the basis for a major motion picture from Sony. He is the recipient of the 2014 National Medal of Arts and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

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Wednesday, October 9, 2013

Ebook White Death, Oxford Bookworms Library: 400 HeadwordsBy Tim Vicary

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White Death, Oxford Bookworms Library: 400 HeadwordsBy Tim Vicary

A level 1 Oxford Bookworms Library graded readers. Written for Learners of English by Tim Vicary


Sarah Harland is nineteen, and she is in prison. At the airport, they find heroin in her bag. So, now she is waiting to go to court. If the court decides that it was her heroin, then she must die.


She says she did not do it. But if she did not, who did? Only two people can help Sarah: her mother, and an old boyfriend who does not love her now. Can they work together? Can they find the real criminal before it is too late?

  • Sales Rank: #1450924 in eBooks
  • Published on: 2008-03-15
  • Released on: 2013-02-25
  • Format: Kindle eBook

About the Author
Jennifer Bassett is Series Editor of the Oxford Bookworms Collection, for which she has written original stories One-Way Ticket and The President's Murderer.

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Wednesday, October 2, 2013

Free Download Why I Quit Zombie School (Turtleback School & Library Binding Edition) (Goosebumps Hall of Horrors)By R. L. Stine

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Why I Quit Zombie School (Turtleback School & Library Binding Edition) (Goosebumps Hall of Horrors)By R. L. Stine

FOR USE IN SCHOOLS AND LIBRARIES ONLY. When Matt's parents send him to a strange boarding school, where the students move at a dead-slow pace, he begins to suspect he has been enrolled in a school for zombies.

  • Sales Rank: #2021424 in Books
  • Published on: 2011-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .50" w x 5.40" l, .45 pounds
  • Binding: Library Binding
  • 160 pages

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Monday, September 23, 2013

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Clay Water Brick: Finding Inspiration from Entrepreneurs Who Do the Most with the LeastBy Jessica Jackley

In the tradition of Kabul Beauty School and Start Something That Matters comes an inspiring story of social entrepreneurship from the co-founder of Kiva, the first online microlending platform for the working poor. Featuring lessons learned from successful businesses in the world’s poorest countries, Jessica Jackley’s Clay Water Brick will motivate readers to more deeply appreciate the incredible entrepreneurial potential that exists in every human being on this planet—especially themselves.“The heart of entrepreneurship is never about what we have. It’s about what we do.”   Meet Patrick, who had next to nothing and started a thriving business using just the ground beneath his feet . . .   Blessing, who built her shop right in the middle of the road, refusing to take the chance that her customers might pass her by . . .   Constance, who cornered the banana market in her African village with her big personality and sense of mission.  Patrick, Blessing, Constance, and many others are among the poorest of the world’s poor. And yet they each had crucial lessons to teach Jessica Jackley—lessons about resilience, creativity, perseverance, and, above all, entrepreneurship.   For as long as she could remember, Jackley, the co-founder of the revolutionary microlending site Kiva, had a singular and urgent ambition: to help alleviate global poverty. While in her twenties, she set off for Africa to finally meet the people she had long dreamed of helping. The insights of those she met changed her understanding. Today she believes that many of the most inspiring entrepreneurs in the world are not focused on high-tech ventures or making a lot of money; instead, they wake up every day and build better lives for themselves, their families, and their communities, regardless of the things they lack or the obstacles they encounter. As Jackley puts it, “The greatest entrepreneurs succeed not because of what they possess but because of what they are determined to do.”   In Clay Water Brick, Jackley challenges readers to embrace entrepreneurship as a powerful force for change in the world. She shares her own story of founding Kiva with little more than a laptop and a dream, and the stories and the lessons she has learned from those across the globe who are doing the most with the least.   Praise for Clay Water Brick   “Jessica Jackley didn’t wait for permission to change the world—she just did it. It turns out that you can too.”—Seth Godin, author of What to Do When It’s Your Turn  “Fascinating . . . gripping . . . bursting with lessons . . . Jessica Jackley has written a remarkable book . . . so thoroughly well meaning and engagingly put it is too magnetic to put down.”—Financial Times“Clay Water Brick is a tremendously inspiring read. Jessica Jackley, the virtuoso co-founder of the revolutionary microlending platform Kiva, shares uplifting stories and compelling lessons on entrepreneurship, resilience, and character.”—Adam Grant, author of Give and Take   “A blueprint for anyone who wants to make the world a better place and find fulfillment in the process, no matter how scarce their resources or how steep the challenge.”—Arianna Huffington“This book is inspirational. And honest and practical. . . . Well written, thoughtful: a selfless account of how to succeed by doing right and following your heart.”—Booklist

  • Amazon Sales Rank: #601514 in Books
  • Brand: Jackley Jessica
  • Published on: 2015-06-23
  • Released on: 2015-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.55" h x .92" w x 6.39" l, 1.25 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Clay Water Brick Finding Inspiration from Entrepreneurs Who Do the Most with the Least

Review “Jessica Jackley didn’t wait for permission to change the world—she just did it. It turns out that you can too.”—Seth Godin, author of What to Do When It’s Your Turn  “Fascinating . . . gripping . . . bursting with lessons . . . Jessica Jackley has written a remarkable book . . . so thoroughly well meaning and engagingly put it is too magnetic to put down.”—Financial Times“Clay Water Brick is a tremendously inspiring read. Jessica Jackley, the virtuoso co-founder of the revolutionary microlending platform Kiva, shares uplifting stories and compelling lessons on entrepreneurship, resilience, and character.”—Adam Grant, author of Give and Take   “With only a dream and a lot of determination, Jessica Jackley founded Kiva, an organization that has empowered millions of people around the world. Clay Water Brick is the inspiring story of her own far-flung journeys as an entrepreneur, but it’s also a blueprint for anyone who wants to make the world a better place and find fulfillment in the process, no matter how scarce their resources or how steep the challenge.”—Arianna Huffington  “This book is inspirational. And honest and practical. . . . Well written, thoughtful: a selfless account of how to succeed by doing right and following your heart.”—Booklist“Inspiring and insightful, Clay Water Brick is a book you simply won’t be able to put down. Jessica Jackley has created a timeless read for every aspiring entrepreneur.”—Adam Braun, author of The Promise of a Pencil   “Capital and abundant resources are not the keys to innovation, and Jessica Jackley proves it. The stories of some of the unlikely entrepreneurs she’s met around the world inspire us to see opportunity where before we saw none.”—Simon Sinek, author of Start with Why   “Jessica Jackley’s life story offers an inspirational blueprint for just about anyone who wants to live a more meaningful life—and the good news is that you can start today. Read it. Share it. Discuss it. Clay Water Brick is the guidebook you’ve been waiting for.”—Deborah Rodriguez, author of Kabul Beauty School“Clay Water Brick is a moving account of so many previously untold human stories, inviting the reader to think more universally about entrepreneurship and the role of business in driving positive change in the world. Jessica Jackley captures the spirit and the heart of the entrepreneur by sharing her own journey and shining a spotlight on a remarkable group of entrepreneurs from around the world and the perseverance that defines them. This is a powerful read for all, and whether you have an idea you want to pursue, an entrepreneur you can help support, or purely general interest, you will be inspired.”—Blake Mycoskie, TOMS founder and Chief Shoe Giver, author of Start Something That Matters

About the Author Jessica Jackley is an award-winning social entrepreneur focused on financial inclusion, the sharing economy, and social justice. She is best known as a co-founder of Kiva, the world’s first and largest P2P microlending website. She also co-founded ProFounder, a pioneering crowdfunding platform for U.S. entrepreneurs, and Kin & Co., a consultancy helping organizations support women and working families. She is an investor and advisor with Collaborative Fund, a member of the Council on Foreign Relations, and a World Economic Forum Young Global Leader. An active board member for several nonprofit organizations including Habitat for Humanity, Jackley holds an MBA from the Stanford Graduate School of Business, a certificate in Global Leadership and Public Policy from the Harvard Kennedy School, and a BA from Bucknell University. She lives in Los Angeles with her husband and three sons.

Excerpt. © Reprinted by permission. All rights reserved. Chapter 1Find the Courage to QuestionThe Poor with UsOur Sunday school teacher read, as she did every week, from the Good News Bible. She told us about Jesus: about what he said and did, about the big and small miracles, about how to live a good life. I listened intently as I sat cross-­legged on my carpet square, one of a dozen fuzzy islands floating on a sea of linoleum tiles. Behind her, a construction paper chart was taped to the wall, with the names of all the students in class, each with some number of gold stars next to the name. I stared at the stars lined up next to my name, one for every time I had done well (I’d earned my newest one for memorizing the Twenty-­third Psalm), counting them over and over again, and comparing my ranking among the other kids. I imagined the stars were my team of cheerleaders, each standing on two pointy legs with a pointy head and two pointy arms outstretched right and left. I was five and a half years old and wanted nothing more than to be good. A good daughter, a good sister, a good student, a good everything.On this particular Sunday, my teacher was talking about poverty. She explained that people living in poverty did not have even the most basic things they needed, like food or clothing or shelter. She told us that Jesus loved the poor and wanted everyone else to love them too. Reading from the Bible in a scattershot way, she jumped around from story to story. One was about a widow giving the last of her coins at church; another was about someone called a Samaritan who helped a sick man on the side of the road; another was about someone pouring perfume on Jesus’ feet. Some of the stories made sense to me. Many did not.I tried to follow along in my own Bible, a hardcover G-­rated children’s version with an oversized font and colorful illustrations. It was the biggest book I owned, and therefore felt like the most important. I flipped through it carefully, looking at the cartoon drawings, keeping an eye out for pictures of the kinds of people my Sunday school teacher was talking about: the poor. In some scenes they were pale and gaunt, down on their knees, their arms reaching up to a bright, sunny heaven for help. In others they were barefoot and filthy, with rags for clothing. They were people shouting in pain, wounded black and blue, or sick with white, leprous skin; people crying, bandages spotted with red across their eyes, chest, head, or hands; people on stretchers, green with nausea or gray with death.As I stared at the pictures, my Sunday school teacher quoted Jesus, saying, “What you do for the least of these you do for me.”Her words made me stop and look up.For a child who wanted nothing more than to do well by her parents and teachers, the idea that I could be some sort of cosmic helper was the most motivating thing I had ever heard! Helping the poor was helping God Himself. I felt I had just been given the world’s greatest homework assignment. I would get this right. I wanted more stars. Big ones.My mind raced with questions about how this was supposed to work. Where were these poor people? How exactly should I help? How did God keep track of how well I was doing? Did the poor report back up to heaven when I gave them my things—­sort of like how (according to my mom) the myriad Santas at the mall reported back to the one real Santa at the North Pole what I wanted for Christmas? Would I be docked points if I handed over only the stuff I didn’t want, like the crayons in colors I never used, or the half of my sandwich that had less peanut butter and jelly on it, and kept all my favorite things for myself? Or was every poor person actually God himself, like Jesus had been, since God could be everywhere and was, apparently, good at disguises?As the litany ran through my head, my Sunday school teacher told us something else that Jesus said, something that again stopped me cold. She said, as if it was no big deal at all, that Jesus promised, “The poor will always be with us.”My stomach knotted. I felt confused, then angry, then scared as this sunk in. Why would God make poor people stay poor forever? Couldn’t God make the world however he wanted? And what did this mean for me? Were my plans to help the poor destined to be inadequate? Was Jesus setting me up to fail?A terrifying scenario began to form in my head. I saw a long line of poor people in front of me, one after another after another, each in need of something I had. One was asking for my coat; one wanted my softest blanket. Another insisted I hand over the azure-­blue crayon I loved. Two others wanted not just half my PB and J sandwich, but all of it. Every time I gave something to one of these people, they would say “thank you,” but then they would make the long walk back to the end of the line, using up my crayon and gobbling my sandwich on the way, and then they would take their place again so they could return to me for more. Because, after all, the poor would always be with us. With me. They would never stop needing and they would never go away. They would follow me around everywhere I went, asking for something else, something more. Their poverty would be endless. No matter how much I gave, it would never be enough.Jesus said so.The Cost of a Cup of CoffeeAs I got older, I heard other stories that convinced me the problem of poverty was enormous. These stories reiterated the notion that poverty could never really be solved, not completely. They assured me that, while it was nice to try, no one could ever really help enough or fix things well enough to make a permanent difference.Over time the illustrations of the poor in my Good News Bible were replaced with the much more real and far more intense images I saw in mailings from charity organizations, or in the newspapers and magazines that came to our house: people pleading for help, their arms outstretched to the camera, alongside headlines of disaster or disease; men with fists raised in riot, alongside news of oppression or war; women fleeing from fighting and famine; children with swollen bellies lying in makeshift hospital rooms; babies like skeletons, their rib cages and collarbones just beneath a thin layer of skin, with flies perched on the edges of their sunken eyelids. Everyone, and everything around them, seemed dirty, broken, angry, empty.These images convinced me that the poor lived very far away from me. My neighborhood in the suburbs of Pittsburgh, Pennsylvania, seemed like a fairy tale in comparison. None of the kids I knew looked like those I saw in these photographs. Everyone around me looked healthy and well fed. I lived in a modern Norman Rockwell painting of soft front lawns and big shady trees with perennial flowers circling their trunks. The front doors of the houses on my street were swung open in the summer and decorated with holly and wreaths in the wintertime. Hopscotch chalk lines stained the sidewalks. Bicycles and scooters lay strewn across front yards. Minivans were parked neatly in driveways.I could not imagine the poor existing in the only world I knew. How could anyone go hungry when every kitchen I had ever seen had a full fridge and a crowded pantry? How could anyone be homeless when even my neighbors’ dogs had doghouses, and where even the mail had nice mailboxes to sit in? How could it be that not everyone had a warm jacket when everyone in my family had both winter clothes and summer clothes, and even different shoes for school and soccer practice and church?So when stories about poor people infiltrated my idyllic existence, they caught my attention. I tried hard to imagine those people and to process the statistics that accompanied the stories. Half of the world was living on less than $2 a day. Twenty-­two thousand children were dying each day from poverty. Nearly a billion people were unable to read a book or sign their names. These enormous, haunting numbers were impossible for my brain to fathom, so my heart took over. I felt anger, sadness, fear, guilt, even shame about my own relative wealth and privilege as a white, middle-­class American kid.Of course, this was exactly the desired effect of the well-­intentioned nonprofits vying for my attention in their marketing campaigns. They counted on their messages to make me feel something, and then they relied on my ability to translate those feelings into action: The worse I felt, the more I should want to give. Then, just when I thought I couldn’t take any more sad statistics, the nonprofit offered a way out: Donate! Give! Help!Who could say no? All I had to do was pick up the phone, dial the 1-­800 number on the screen, and I would be connected with someone who could solve these problems (via check, credit card, or money order)! If I just emptied my pockets or dug through my couch cushions for loose change, I’d find enough to extend a child’s life for one more day! If I could spare even the smallest amount—­Sally Struthers and other passionate spokespeople told me that “less than the cost of a cup of coffee” was enough—­I could be a part of their game-­changing work! For just a few dollars I could become the solution!And so I gave. I dug for lost coins. I took my weekly allowance to church and stuffed it into the velvety bag that was passed around to collect the congregation’s tithes. And I got others to give too. I hawked Dixie cups half-­full of watery Kool-­Aid from a card table on my front lawn. I sold magazine subscriptions and cookies and gigantic chocolate bars door-­to-­door. I toted my UNICEF box around the neighborhood on Halloween night. And every once in a while, my mom would take me to the local bank, which would tally the change, and then my mom would send a check and my handwritten notes to the poor kids I had seen on TV.Each time I did these things, I felt a little bit better. At least for a while.Part of me knew that giving a few dollars here and there was a cheap replacement for what I really sought. Deep down, I knew that I would never be satisfied until I could make some sort of real contact with the people I felt obligated to serve. In fact, I was becoming more and more certain that the strange cycle of giving in which I’d been participating actually made me feel more disconnected from the actual human beings I felt called to help. Instead of experiencing a real, meaningful interaction with a needy person, I was participating in a series of economic transactions with large organizations that had convinced me they knew how to fix things. I wasn’t actually allowed to hand over my PB and J sandwich. I was just funding someone else’s grocery list. It was all incredibly unsatisfying.The follow-­up letters from those nonprofits thanking me for my donations added insult to injury. I got form letters in the mail (usually addressed to my mom, who had written the check) thanking her for the donation in the first sentence and then immediately asking for more. As a caricature of personal touch, there were often ink-­jet printed signatures of people I had never heard of and had not intended to give any money to. (What was an executive director? Why wasn’t the letter signed by Jamal in Ethiopia or Vilma in Guatemala, the kids from the infomercials?) Some organizations even went so far as to make the form letters look like they had little notes scrawled in the margins, as if their donors would be fooled by a “handwriting” font. Even as a kid I knew what was happening. I was being thanked by a computer.I saved one of the most confusing, dissonant thank-­you letters I received back then. For a while it hung taped to the wall above my desk. The letter came in response to a donation I had sent to a nonprofit organization specializing in medical procedures for babies born with cleft lips and palates. Along with a standard one-­page thank-­you note expressing how valuable my support was to the organization, I received a self-­addressed envelope for an additional donation. So far, nothing new. But the envelope stood out. On it was a photograph, the face of a baby who had been born with a cleft lip, which had left a gaping hole from her mouth to her right nostril. Bafflingly, next to the picture—­after I had just been told how much the organization appreciated every penny, and how much of a difference each contribution made—­was a special offer: “Make one gift now, and we’ll never ask for another donation again.”The campaign was as offensive to me as it was resonant, revealing an intimate understanding of the love/hate relationship that can unfold between well-­intentioned donors and well-­intentioned nonprofits. On the one hand, I knew every dollar was appreciated and would make a big difference. That part felt great. On the other hand, someone in that organization guessed that after a while, making an impact through their particular program would probably lose its thrill. Another few bucks, another smile repaired. Seen one, seen them all, right? So they decided to cut to the chase. Their message told me: “Hey donor, we get it. We’re bothering you. So let’s quit while we’re ahead. Pay us off and you can go on with your life.”In a world with infinite need, with no such thing as “enough,” this organization seemed to understand that no donor could give forever.Sadly, I couldn’t disagree. I had become convinced that it was impossible to give enough, to cause enough change, to care enough. So I still gave, but I did so knowing exactly what I was doing. I wasn’t just buying the privilege to change someone else’s life with my donation. I was buying a temporary sense of relief for myself. With each transaction, even that feeling of temporary reprieve became more and more fleeting. I knew I wouldn’t be able to keep up with all of the world’s requests for my spare change. It was just like the long line of poor people I had pictured in Sunday school, following me around forever.

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Wednesday, September 11, 2013

Ebook Free 21 StoriesBy Graham Greene

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21 StoriesBy Graham Greene

  • Sales Rank: #16698575 in Books
  • Published on: 1990-12
  • Original language: English
  • Binding: Audio Cassette

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Sunday, September 8, 2013

Get Free Ebook What Am I?By Albert Nahmani

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What Am I?By Albert Nahmani

In this book transcribed from his recent dialogues, Albert Nahmani shares his understanding of Consciousness, meditation, awakening, self-realization and enlightenment in the tradition of Non-Duality/Advaita and Kabbalah. Albert was greatly influenced by J. Krishnamurti. He shares his understanding of the ancient teaching of Non-Duality, a knowledge experienced by us all and which informs our lives and the universe. Albert speaks mostly about Consciousness/awareness, our only source and absolute reality.

  • Sales Rank: #3757273 in Books
  • Published on: 2011-03-28
  • Dimensions: 9.00" h x .19" w x 6.00" l,
  • Binding: Paperback
  • 74 pages

About the Author
Albert Nahmani was born in the spiritual city of Fez, Morocco steeped in mysticism. He speaks five languages and has lived on 4 continents. Albert studied and performed in avant-garde theater, did graduate work in trans-personal psychology and meditated and participated in J. Krishnamurti groups for fifteen years. Albert, a socially-responsible entrepreneur who has helped many others develop their own businesses, now primarily devotes himself to sharing about our essence, Consciousness. After decades of self-inquiry, meditation and spiritual group dialogues, Albert's search for who or what he was dissolved in 1987 when he experienced the absolute reality (Non-Duality, Advaita) known in Buddhism as the "Clear Light of Dawn," and in Kabbalah as "Beyond the Barrier." During that same week Albert met with (and was guided by) Murshid James MacKie, a follower of Meher Baba, founder of Sufism Reoriented.

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Free PDF Les Loustics: Cahier d'Activites 1 + CD-Audio (French Edition)By Hugues Denisot, Marianne Capouet

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Les Loustics: Cahier d'Activites 1 + CD-Audio (French Edition)By Hugues Denisot, Marianne Capouet

Pour les enfants au debut de l'ecole primaire, une approche du francais motivante, ludique et rassurante, accompagnee de belles illustrations et de chansons traditionnelles.

Structure:

Un cahier d'activites en couleurs pour consolider l'apprentissage et introduire progressivement l'ecrit avec:

  • une double page par lecon d'activites de comprehension et de production ecrite guidees

  • une preparation au DELF Prim avec une epreuve type

  • un dictionnaire illustre en couleurs a completer

  • un CD de chansons et poesies pour continuer a s'amuser en francais a la maison

  • 130 autocollants

Composants:

  • Livre de l'eleve

  • Cahier d'activites + CD audio

  • Guide pedagogique

  • Fichiers ressources

  • CD audio classe (x3)

  • Manuel numerique pour l'enseignant

  • Amazon Sales Rank: #187542 in Books
  • Published on: 2013-01-10
  • Original language: French
  • Number of items: 1
  • Dimensions: 11.10" h x .50" w x 8.10" l, .0 pounds
  • Binding: Paperback
  • 96 pages

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Thursday, September 5, 2013

PDF Download The Art of Brom Nude Cover Limited EditionBy Brom

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The Art of Brom Nude Cover Limited EditionBy Brom

The largest, most comprehensive retrospective ever published on this extraordinary dark fantasy artist.

Limited edition with alternate cover art and additional pages. 224 pp. 3.5 pounds. Cloth over boards with a sewn binding. With the added section "Behind Closed Doors:" 16 pages that are a rare glimpse into Brom's studio, and an in-depth showcase exploring his creative process, including sketches and preliminaries.

  • Sales Rank: #880526 in Books
  • Published on: 2013
  • Binding: Hardcover
  • 224 pages

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